在铁路线路三维场景中，存在着大量的对称物，如树木、亭子、栏杆等，大部分对称物都属于复杂地物。

There are a lot of symmetry objects in the railway 3d sight, such as tree, georgette, and balustrade and so on.

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“三分法则”实际上仅仅是“黄金分割”的简化版，其基本目的就是避免对称式构图，对称式构图通常把被摄物置于画面中央，这往往令人生厌。

The "Rule of the Thirds" is actually nothing else than a simplification of the "Golden Mean".

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建筑师开始自觉地设计维多利亚时代样式、不对称的建筑物，直到20世纪20年代，不对称还被简单定位于现代主义建筑。

Architects started consciously making buildings asymmetric in Victorian times and by the 1920s asymmetry was an explicit premise of modernist architecture.

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