对歌,又名斗歌、对口白、唱口白、文播台,是乐清民间文化的一朵奇葩,其腔调唯配以乐清方言(西乡)才珠联璧合。每逢元宵佳节,人们都要聘请艺人去演唱“对歌”。相传为光绪年间闻福臻所创。
多明戈:我认为,至少是对歌(Antiphonal)剧而言(Case)。当然,总体(Overall)上说,古典音乐不像体育运动(Sports)或者(Or)大众流行电影(Film)一样(As),歌剧(Opera)也不例...
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... answering phrase 对唱; 对唱 answering phrase of duet 对歌; 对歌 antiphonal answer 对唱; 对唱 ...
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In addition, the chorus activities such as songs-learning and rehearsal, songs competence at drum tower, sitting up while singing, mutual assistance both in life and production along with religious sacrifice are described in great details.
并详细描述了歌班组织学歌练歌、鼓楼对歌、行歌坐夜、生产生活互助、宗教祭祀等活动内容。
参考来源 - 现代性与民族性:侗族歌班的教育人类学考察与分析·2,447,543篇论文数据,部分数据来源于NoteExpress
她做出一副对歌剧感兴趣的样子,但这不过是装门面而已。
She pretends to be interested in opera, but it's only for show.
英国人对歌剧做出了重大的调整,并把他们对歌剧所做的改革带回了意大利。
The English made a major adjustment to opera and exported what they had done to opera back to Italy.
人们对歌剧的意见非常不一样。
It would appear that Milton's suggesting that it's chastity that actually establishes something like a precondition for hearing and learning that inspired song that's actually sung before the throne of God in Revelation.
那表明了弥尔顿的建议,关于确实是贞操建立了某些事物,像听和学的事先准备对歌的启发作用,在《启示录》里确实在上帝面前唱了。
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