对希区柯克式鲜明的手法熟稔于心的迪帕尔马,未能维系爱情故事中人物形象的真实性。
Mr De Palma, the master of flashy pseudo-Hitchcockean sleight of hand, cannot sustain the illusion that the characters in the love story are real.
如果她和希区柯克对浴室那场戏的拍摄方法能更公开一些,那也不会导致那么多推测和困扰。
Had she and Hitchcock been more open about how the shower scene had been achieved, it might not have become the subject of such speculation and obsession.
学生们一边研读弗洛伊德和爱伦·坡的著作,观看希区柯克和克雷文的恐怖电影,一边讨论恐怖片中对性别、阶级和家庭的处理。
Students read Freud and Poe and watch Hitchcock and Craven, all while discussing the horror genre's treatment of gender, class, and family.
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