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本文选择花鸟画做为研究对象，研究在宣德台阁雅集背景下，宫廷花鸟画在明初呈现面貌的原因。
The research tries to investigate, with the influence of the intellectual gathering, what caused the style of the palatial Flower-and-Bird Painting in the early age of Ming Dynasty.
根据史料记载和传世作品分析，笔者以为，林良花鸟画的传统师承有三个主要部分：一是采纳了宫廷绘画中的南宋院体笔法；
According to historical materials and his existing works, this thesis suggests that Lin Liang's flower and bird paintings inherited their style from three major sources.
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