他的幽默观和幽默小品创作特别重视幽默的审美价值,创造了滑稽、机警的“笑”的美感情趣。
His thinking and writings on humor paid attention to the aesthetic value of humor, which includes farcicality, wittiness, and laugh.
伤感情调的词与感伤情调的词因作者的性格特点而有着不同的情感表达倾向,给人以不同的审美感受。
The sentimental ci and the moved ci have the different emotion expression and transmit the different aesthetic feelings because of the poets disposition characteristic.
It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.
这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现,完全摒弃了,现代主义的审美观,比如自然主义,形式明确,感情自制等等。
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