审美判断力是人对事物审美特性及其相互联系进行分析、综合、品味和作出审美评判的能力。是审美能力的基本形式之一，是人在审美实践中经验积累和学习、训练的结果，包括审美的观察力，感受力，分析、综合力，理解力，创造力和传达力等。审美直觉、联想、想象和分析、概括的能力是它的前提，特定的审美需要、情感、习惯制约着它的发挥。
基于康德对两种判断力的区分，文章分析了《判断力批判》中审美判断的合法性。
Based on Kant's distinction between two kinds of judgments, the article analyzes the legitimacy of the aesthetic judgments in "Critique of judgment".
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
在审美活动中，先验自我意识以反思判断力为人与自然的关系立法，以获得“美”。
In the field of the aesthetics, the transcendental self-consciousness sets up laws for the relation of human and nature with the reflective judgement, by which it achieves the "beauty".
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