总的来说，这些尝试在实践过程中暴露出了激励滞后、激励乏力、激励失灵、激励随意、激励盲点等诸多问题。
In general, these attempts revealed the process of practice incentive lag, incentive fatigue, motivation failure, random motivation to inspire blind spots and many other issues.
丹托面向当代艺术实践，指出传统模仿论在规定这种新兴艺术方面的乏力，给出了以“艺术界”为核心的新的定义框架。
Facing the practice of contemporary art, Danto points out the limitation of defining the new art with traditional imitation theory and provides a new framework of definition centering on"artworld".
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