二十世纪的艺术不是已经表明，自然主义不一定遵循某种既定顺序的抽象了吗？

Has not twentieth-century art shown that naturalism does not necessarily follow abstraction in some kind of predetermined sequence?

youdao

你可以认为南方人和北方人都有一定程度的美国传统的地方主义，对地方的依恋。

You could argue that both Southerners and Northerners shared a certain degree of old-fashioned American localism, attachment to place.

youdao

伊朗强烈的经济民族主义的周期性高涨，一定程度上必须被理解为对英国在伊朗的商业与英国政府之间密切关系的反应。

Periodic surges of intense Iranian economic nationalism must be understood partly as a reaction to the close relations between British business in Iran and the British government.

youdao

And deep at the root of Manifest Destiny, of course and there's book after book written on this is a deep and abiding American white supremacy.

很明显,这都源于命运天定,关于这点有很多著书证明,命运天定是根植于美国的白人至上主义

耶鲁公开课 - 美国内战与重建课程节选

And Manifest Destiny was the engine of capitalism, make no mistake.

而且,命运天定思想,是资本主义的发动机,这点无容置疑

耶鲁公开课 - 美国内战与重建课程节选

A Christian civilization was deeply at the root of this cluster of ideas we call Manifest Destiny, as was a virulent kind of nationalism that boomed after the War of 1812 and through the 1820s into the 1830s.

基督教文明是我们所称的命运天定,及其相关思想的核心,它是一种有害的民族主义,在1812年战争后兴起,并流行于十九世纪二十年代和三十年代

耶鲁公开课 - 美国内战与重建课程节选