姚贾：战国时期魏国人，出身“世监门子”，其父是看管城门的监门卒，在当时社会根本没有一点地位可言。
因此，姚贾在中国诗歌史上的接受过程是一个值得深入研究的特殊现象。
Therefore, Yao Jia accepted in the history of Chinese poetry is worth deeply studying.
在中晚唐之交，姚贾及其追随者以自己特有的方式续写了山水田园诗歌的传统。
During the mid-Tang and night-Tang dynasty, the aesthetic theme tradition of landscape poetry and pastoral poetry were innovated by Yaohe, Jiadao and their epigone.
中唐时代的贾岛、姚合两位诗人因交谊密切、诗风类似而被后世并称为“姚贾”。
Mid-Tang-Dynasty poets Jia Dao and Yao He are mentioned together by later generations as Yao and Jia on account of their closeness of friendship and similarity of poetic styles.
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