用黑色颜料将图案描绘在天然红色的黏土坯体上，到修整时再在黑色图案中刻画细部，露出红色的坯体。
The figures were painted in black pigment on the natural red clay ground. finishing details were then incised into the black pigment revealing the red ground.
建筑的细部处理有一处极为简洁而又不容忽视的地方：包括所有家具和展览物品在内的大部分表面都是白色的，与铺着银灰色天然石材和地毯的地面形成了对比。
The detailing has a strong minimalistic focus: Most surfaces, including all furnishings and exhibition objects are white in contrast to floors in natural stone and carpets, both in silver grey.
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