徐州汉画像石作为汉墓壁画的一种形式，通过稚拙的外在“象”体现出内在的象征性的“意”之美。
Xuzhou stone relief in the Han Dynasty, as a form of the grave fresco, expresses the beauty of the internal and symbolic spirit through the crude and childish external picture.
就算古希腊人真的曾经将一个人的“内在”和“外在”区分开来，他们仍然希望内在美能够与外在美与之相匹配。
If it did occur to the Greeks to distinguish between a person's "inside" and "outside", they still expected that inner beauty would be matched by beauty of the other kind.
较之西方美学推崇的外在形式和谐，发源于天人合一的深远背景、以自然、社会、人生的和谐为基础的中国艺术的和谐之美，更加深入地触及到了“和”的本质。
The beauty of harmony of Chinese art, based on unity of men and nature, characterized with the harmony of the nature, society and life, strikes the essence of harmony.
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