敦煌壁画中的乐舞图像资料中蕴含了大量丰富绚丽的服饰语汇。
The beautiful costumes in the imagery data of dance in Dunhuang Murals have abundant implications.
这种式微表现在壁画中人物服饰的创作上，即是衣物饰品的历史或生活化的简单复制与雷同。
The weaker reflects in the creation of character's costume in fresco is the simple copy or as the same in the historic or life style at costume and accessory.
其中唐五代时期内容更加丰富与形象，壁画中人们所着服饰大都为当时所流行，是大唐繁盛经济的体现。
Thereinto, the grotto murals in Tang and Five dynasties are more vivid and richer, and the clothes they wore were of great popularity which was a sign of economic prosperity of the time.
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