本文试图挖掘威廉·布莱克在诗歌创作上所表现出的，毫不逊色于“湖畔派”诗人的瑰丽想象。

This article aims to unearth the surpassing imagination exhibited through the poems by William Blake, which is not in the least inferior to that created by the "lake Poets".

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他不仅在理论介绍和传播方面，做出到了不可磨灭的贡献，而且在诗歌创作方面，也占据一席之地。

He not only did indelible contribution to the introduction and spread of theory but also accounted for a place in the creation in poetry.

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在诗歌创作与翻译的认知过程中，一些意象被诗人或者译者突出识别为角色，而另一些则被淡化为背景。

In the cognitive process of poetry writing and translation, certain imageries are recognized by poets or translators as characters, while others neglected to be a part of background.

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Now in Virgil's early poem, the Sixth Eclogue, the speaker explains that the writing of pastoral poetry is the stuff that young poets do.

在维吉尔早期的诗篇里，诗人解释道,田园诗歌的创作是年轻诗人的必经之路。

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What good is it -- you'll remember -- what good is it, Milton asks, ; "to tend the homely slighted shepherd's trade"; that's, of course, the vocation of poetry if that shepherd-poet is just going to be struck down in his prime as Edward King had been?

大家可以看到，弥尔顿在这里发出了疑问，“进行平凡微不足道的诗歌创作“，又有何益;,当然，就田园诗人而言，诗歌的天命,是否在于如同爱德华金一般的英年早逝？

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So, what you have to imagine is sometime back, I would argue, in the Mycenaean Period, somebody began making up one of these songs, telling the story of Greeks going to attack the city of Troy.

所以,你们想象一下在过去的某时,我当然是说在迈锡尼文明时期,有人开始创作这些诗歌中的某一首,它描述了希腊人攻打特洛伊的故事

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