如果某一个和弦持续的时间是两倍或者只有一半,那我们就有了不规则的和声改变——和声改变的不规则比率。
If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
此后几十年合作生涯,布鲁贝克的双手和弦以及保守运用切分音的演奏风格,同戴斯蒙德流动而抒情的柔和声线交相辉映,配合默契。
For decades to come, Brubeck's two-handed chordal playing and sparing use of syncopation would beautifully complement Desmond's floating and lyrical lines.
然而我对权力的喜爱就像一位艺术家,如同一位音乐家喜爱他的小提琴,从中拉出声响,和弦及和声。
I love it as a musician loves his violin, to draw out its sounds and chords and harmonies. "— Napoleon Bonaparte."
If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
如果某一个和弦持续的时间是其他和弦的两倍或者只有一半,这就是不规则的和声改变。
By regular rate we mean that the amount of time that each chord holds is exactly the same; every chord holds for the same length of time.
如果变化频率规则,那么和声中每个和弦持续的时间长度是完全相同的;,每个和弦都持续同样长的时间。
We've talked about some of these already, having to do with the nature of the harmony-- that pop music tends to have simpler harmonies, and that those harmonies tend to be more repetitious, that they tend to have harmonies that have chords in root position.
我们以前说过,这个问题与和声的性质有关-,流行乐通常用较为简单的和声,流行乐通常用较为简单的和声,流行乐手也大多喜欢用原位和弦。
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