在布洛赫的理念里，希望起于恐惧、未知和危机：它是一种创造力，同乌托邦式“希望的愿景”相辅相成。

Hope, for Bloch, has its starting point in fear, in uncertainty, and in crisis: it is a creative force that goes hand in hand with utopian "wishful images".

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但金融的历史是充满泡沫和危机的。

But financial history is replete with bubbles and crashes.

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在经济泡沫和危机时期，信贷也受潮了。

During the bubble and during the crisis, credit was tidal.

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Does it suggest that England's history and its heritage and its honor are in jeopardy?

它是否表明英国历史和遗产,还有那些荣耀都处在危机中？

耶鲁公开课 - 现代诗歌课程节选

So this is Levi-Strauss' argument, and Derrida is interested in it because he recognizes its affinity with his own hesitation in talking about events, births, emergence and so on.

这就是列维，施特劳斯的论点，而德里达对此感兴趣是因为他意识到它与自己的犹豫类同,他在谈论语言的发展，诞生和危机等东西时的犹豫。

耶鲁公开课 - 文学理论导论课程节选

Interesting. Julie, any thoughts about that's awesomeness of God and trying to have a sense of control in that situations?

很有意思，Julie，关于,对上帝的敬畏和,危机状况下的控制感，你有那些想法？

普林斯顿公开课 - 人性课程节选