她的作品生动地展现了1934到1965年移民差距后的一代菲律宾裔美国人。
Her work brings Filipino Americans of the generation following the 1934-1965 immigration gap graphically to life.
汽车制造者不再生产便宜的模型，并且发展商不在建造那些为一战后的一代房屋买者建造的小平房。
Automobile makers no longer manufacture cheap models, and developers do not build the tiny bungalows that served the first postwar generation of home buyers.
建筑、绘画、音乐、雕塑、文学杰作，这些由人类自己创作的“美”，震撼着自艺术作品诞生后的一代又一代人。
One generation by another has been shocked by these beauties created by man himself, such masterpieces as architecture, painting, music, sculpture and literature, etc.
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