后朋克(Post Punk),后朋克继承了朋克乐在音乐上的反传统与大无畏精神,但它要比朋克乐更丰富、更艺术化。
他们的样式显著地背离了当时统治着流行乐榜单那些声音:麦当娜(Madonna) 的铿锵鼓点,以及属于后朋克(punk)时期第三或第四股风潮的嘈杂的吉他乐队们。
Their style was a marked departure from the dominant sounds of the charts: Madonna’s blocky drum machines and the noisy guitar bands of the third or fourth wave after punk.
有着大大的80后的发型,氖阴影和弹弓,她或许这群人中最有朋克风格的一任。
With big 80s hair, the neon shades and the slingshot, she's probably the most "punk rock" of this bunch.
想想朋克摇滚乐手热衷的在身体上穿孔是如何在年轻的银行家们开始穿着条纹衫炫耀朴素的耳环后失去震惊世人的力量的。
Think how the body-piercing favoured by punk-rockers lost its power to shock after young bankers started sporting discreet earrings with their pinstriped suits.
So without giving away my age too much-- I guess it will actually--when I was a kid growing up in England, there was this guy - there was a pop star-- a slightly post-punk pop star called Joe Jackson, who none of you would have heard of, because you were all about ten years old, my fault.
虽然我不想透露我的年龄,但也没办法,我从小在英格兰长大,当时有一个流行歌手,他叫乔?杰克森,后朋克歌手,我估计你们都没听说,因为他红的时候你们才十多岁
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