本文试图通过分析勃拉姆斯晚期四部特性钢琴小品集（作品116—119号）的创作手法，来说明其通过对古典主义形式的剥离，对浪漫主义音乐元素的吸收，形成的独特风格。
The paper intends to show his deviation from classic forms by analysing his four later clavier essays Op. 116-119 which assimilated romantic elements and formed his own style.
对于善于鉴赏古典艺术的行家来说，日内瓦旧城区里的佛尔登街6号可以说是一个宝库。
For the connoisseur of ancient art, 6 rue Verdaine in Geneva's old town is a jewel to behold.
“北湖九号”是以灰、白为主色调的建筑群落，采用的是新古典主义的设计风格。
Buildings in Bayhood No. 9 are new-classical style architecture mainly in grey and white.
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