汉魏六朝时期出现的大量具有虚构成分的叙事作品，足以说明当时人们较普遍地具备了自觉的虚构意识。
Fictitious elements manifested in narrative works in Han Wei and the six dynasties demonstrate that people of that time generally had a fictitious awareness.
与传统的文学批评理论不同，它借助于语言学模式研究叙事作品的内部规则和不同成分之间的关系。
Different from other theories of literary criticism, it adopts the linguistic models to research on the inner rules of narrative works and the interrelationship among various elements.
仅在关于维多利亚时期物理学和化学的年鉴记录里，就有无法穷尽的卓越理论，里面没有一点倾向于叙事的成分。
In the annals of Victorian physics and chemistry alone there was no end of brilliant theory that displayed not a shred of narrative inclination.
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