你走进前门，威严的基督——左边是受诅咒之人在遭受苦难，右边是受保佑的人，看起来快乐得多。

You walk in the front door, Christ in majesty—on the left side are the damned writhing and on the right side are the blessed looking a good deal happier.

youdao

我们的部落正受诅咒。

Our tribe is under a curse.

youdao

那么你就是判定我活着受罪，死后要受诅咒了？

Then you condemn me to live wretched and to die accursed?

youdao

You walk in the front door, Christ in majesty -on the left side are the damned writhing and on the right side are the blessed looking a good deal happier.

你走进大门口,威严的基督,左边是受诅咒之人在受煎熬,右侧是受保佑的人,看起来快乐得多

耶鲁公开课 - 聆听音乐课程节选

So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.

因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容

耶鲁公开课 - 聆听音乐课程节选