In a way, there's a subset of questions that arises from those, to the effect that this is, of course, what we'll be taking up next time: the question "What is an author?"
从这些大问题中又会产生一些小问题,这些问题也将是我们以后会讨论的:,关于文学的缘由,我们接着又会问,“作者是谁?“
No sooner has the speaker asked this question -- and you see this rhythm, this dynamic, appear continually throughout Lycidas - he asks the question, and then immediately he acknowledges the inadequacy of the question.
刚问完这个问题--这种节奏,这种动态是贯穿《利西达斯》始终的,-刚问完这个问题,弥尔顿又立即承认了,这个问题是不适当的。
We don't know the time and we don't know how high it's rising so you can ask, "How am I supposed to deal with this problem?"
我们既不知道时间,又不知道最高点的高度,那你就会问了,这道题该怎么做呢
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