根据欧共体关于计算机程序法律的理事会指令第1条第3款中指出的程序原创标准只要计算机程序是原创的(original),即它是作者自己的 智力创作物,它就将受到保护。由此看来,即使很小的程序也将受到版权保护。
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它们还利用了其他具有隐喻意义的表达形式,有些可能是原创的,有些则源自托尔特克的新造词。
They also availed themselves of other forms of expression with metaphorical meaning, some probably original, some derived from Toltec coinages.
现在,实际上一些罗马雕塑是原创的,但其他的是希腊雕像的复制品,一些罗马雕塑是某种形式的组合。
Now, actually some Roman sculptures were original but others were exact copies of Greek statues and some Roman sculptures were combinations of some sort.
原创的点子真的是可遇而不可求。
How can you write an original poem when your literary consciousness is essentially made up of the memory of all the things that you've read before?
你怎么能说自己写的是原创的诗,当你的文思,主要是由你以前阅读积累下的记忆,组合成的呢?
It's a good sort of question that gets raised in such a problematic allusion: how do you set out to write an original poem within such a conventional genre like the epic?
对于这样一项有问题的引用,提出这些问题是很好的:,你怎么能开始写一篇标榜原创的诗作,却使用史诗这一传统的文体呢?
Is it universal wisdom? Romantic psychology? We shall never know, for the good reason that writing is the destruction of every voice, of every point of origin.
是否是普遍的哲学?还是浪漫的心理?我们都不得而知,因为写作就是对每个意见,每点原创的破坏。
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