"南北宗"是个多义词，它可以指南北宗（中国山水画派别）,南北宗（篆刻流派）,南北宗（中国佛教禅宗派别）,南北宗（道教全真道派别）。
The value of his theory on southern and northern faction was to set a principle for Chinese painting rather than divided them into two factions,and he pointed out which style of brushwork was the best,illuminated the importance of art form.
董其昌关于南北宗理论的阐发,其价值并不在区分或者划定南北宗与派别,其意义却在于为中国画的笔墨立一极则,从理论上评判出什么样的笔墨为最好的笔墨,同时启示出确立艺术风格的重要性。
参考来源 - 董其昌南北宗问题初探·2,447,543篇论文数据，部分数据来源于NoteExpress
要对“南北宗论”做出正确的评价，首先应该对其产生的理论基础、思想内容等进行客观全面的认识。
The theoretic basis and mental content must be fully understood to evaluate the theory of Southern and northern school of painting.
在这幅画上，可以看出吴湖帆对传统山水画“南北宗”、青绿水墨的兼收并蓄，已经摆脱了流派的束缚，从而形成了自己的笔墨风格。
In this picture, we can see that Wu Hufan of traditional landscape painting "the civil cases", green ink and eclectic, has shaken off the shackles of genre, and formed its own style of pen and ink.
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