在《致命诱惑》(1987)-贾尔说它是“很吓人很吓人的一个片子”-中，阿德里安·莱恩让他在每个惊悚场景写一点不引人注目的音乐就行了。
On "Fatal Attraction" (1987), "a very very scary film", as he found it, Adrian Lyne instructed him just to write "something discreet" whenever a scene was horrible.
最后，为此场景写一个联合的实现表（Joint Realization Table，JRT），在表的每列中显示对于每个观点的协作要素。
Finally, a Joint Realization Table (JRT) is written for the scenario, showing the collaborating elements for each viewpoint in a column of the table.
这就是通常我使用这些素材的方法：我本打算写一个关于这个故事究竟发生了什么的提纲，在结束时却发现自己写了一大段场景和对白。
This is the way it usually works for me: I try to write a short synopsis of what is happening in some other part of the story, and I end up jotting down dialogue.
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