从各种版本的科尔沁“情歌”看，美学力量主要来自其悲剧意蕴。
Viewing the Horchin "Love Songs" in various editions, we see that their aesthetics are mainly from their tragic implication.
张爱玲的小说以悲剧故事见长，而“苍凉”是其悲剧叙事风格的内核。
Most of Zhang Ailings novels are of tragic stories, but the "bleakness" is the essence of its tragic narration style.
其悲剧意识主要有三种范型，即词人的生命悲剧意识、词体的生存悲剧意识、词学主体的情感悲剧意识；
Their tragic consciousness lies in three aspects: tragic consciousness of life of the Ci writers, tragic consciousness of the survival of Ci itself, tragic consciousness of feelings of Ci study.
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