女性，八零后，住上海。
此时，比物质贫瘠还要可怕的精神问题是八零后艺术家无法回避的。
What is more frightful than material poverty is the spiritual problem which cannot be shunned by the artists of 80's .
两种策略之间形成的巨大反差呈现了西安“八零后”当代艺术的吊诡。
The tremendous contrast between two strategies presents the paradox of contemporary art of the youth born in 1980s in Xi'an.
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