只是在一个世纪后的现在，当电子媒介诸如摄影和录像从绘画中夺取了对先锋地位的控制后，塞尚的影响才开始渐渐减弱。
Only now, a century later, when electronic media such as photography and video have wrested control of the vanguard from painting, is Cezanne's shadow beginning to fade.
那场展览真正令人激动的就是先锋派摄影的展示。 。
Where the show really excites is in the display of avantgarde photography.
但确定的是摄影的这些特性是无论主流还是先锋电影制作人所引用最多的。
Certainly these qualities of photography to which film makers, both mainstream and avantgarde, have been drawn most often.
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