他的神秘像一扇既没有锁也没有钥匙的门激起了她的好奇心。
The very mystery of him excited her curiosity like a door that had neither lock nor key.
第二类是那些BBC二套的电视观众们，他们渴望引人入胜的内容编排，“在铁轨上”，像那些游戏开发商们描绘的，透过一扇窗观赏旅行沿途的景象。
The second audience would be the BBC2 viewing public. They needed grabby content "on rails", as game developers describe it, evoking images of a journey viewed through a window.
恰恰相反，他们都是真实存在的人，这些故事像一扇通向人们内心的窗户。
rather, they are real people — and a window into the inner workings of everyone's mind and brain.
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