修复员的动作要快，她解释说，因为画布就像人一样“有记忆”。
The conservators had to act quickly because canvases, like people, “have a memory, ” she explained.
“我有很强烈的预感——人们会离它很近，因而它需要一些保护”，博物馆的修复员卢西·贝洛里说。
"I felt strongly that people would get very close to it," said Lucy Belloli, a conservator at the Met, "and it needed some protection."
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