作者的读者
网络释义
在第一部分中，Rabinowitz 详细阐述了读者的不同阅读位置及其相互关系，即“作者的读者” ( authorial audience) 、“叙事的读者”( narrative audience) 、“真实的 ( 有血有肉的) 读者”( actual audience) ，提出阅读是一种“规约性”的活动...
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双语例句原声例句
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那位作者已经说服读者接受他的观点。
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当演讲者和听众——或者作者和读者——以合奏的形式，协调地执行各自的行动时，这种联合行动就出现了。
It is the joint action that emerges when speakers and listeners—or writers and readers—perform their individual actions in coordination, as ensembles.
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作者认为，读者们几乎不能理解书中的大部分内容。
The author considers that readers can scarcely understand most of the books.
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So, this is Nabokov's beautiful evocation of how writer and reader meet at the summit of this misty mountain of the imagination.
那么，这就是纳博科夫的美好呼唤，是关于读者和作者,如何在想像的巅峰相遇。
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Now I want to contrast that with what we see from Nabokov in this essay, Good Readers and Good Writers.
现在我要把这和《好读者和好作者》这篇文章中,纳博科夫的观点做下比较。
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We could think of it as the contractual relation that a writer makes with his reader.
我们可以把它看作一种契约关系,作者与读者之间订立的契约。
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