...in Lister等人表示,互动式数字媒体的一个关键作用就在于它能让“富有创意的信息管理”和《作者之死》(the death of the author)一书所阐述的内容都变成现实。换言之,它在众多关系松散的社区之间打开了创想与洞见的闸门,让人们得以更好地获取并管理知识。
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Firstly, it explains the concept of "ecrivant" and "ecrivain"("writer" and "scriptor"), then the theory of "The death of the author".
首先,阐释“作者”与“作家”(“作者”与“写手”)概念,进而论述“作者之死”理论,指出巴特在此完成对作者身份的彻底颠覆与解构。
参考来源 - 罗兰·巴特解构主义文学批评思想研究·2,447,543篇论文数据,部分数据来源于NoteExpress
我想引用罗兰,巴特文章开头的几句话,我只是推荐这篇文章,从中引用几句,所以你们不用事先读,这篇文章就是《作者之死》。
I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, the Death of the Author.
文艺复兴以来备受推崇的艺术家个体的创造性价值,以1968年罗兰·巴特的文章《作者之死》的发表为标志,开始遭到人们的质疑。
The highly-venerated creative value of the individual artist since the Renaissance has come under question, with Roland Barthes's 1968 essay of Death of the Author as the symbol.
I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, The Death of the Author.
我想引用罗兰,巴特文章开头的几句话,我只是推荐这篇文章,从中引用几句,所以你们不用事先读,这篇文章就是《作者之死》
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