本文不着意在众多的艺术本质的界定中再添新说,而是针对艺术本质论的理论预设作批判性反思。
Abstract This thesis does not intend to propose new theories on the essence of art, but to rethink critically the theoretical presuppositions on the essence of art.
本文是针对艺术本质论的理论预设作批判性反思。
This thesis rethinks critically the theoretical presuppositions on the essence of art.
例如,有一个展出单元被介绍作布勒松对“美国的粗鄙、贪婪和种族主义”的批判。
One section, for instance, is introduced as Cartier-Bresson's criticism of "American vulgarity, greed and racism".
It presses its own themes in retelling those stories. Early laws are subject to reinterpretation. Ezekiel comes along and does some interesting things with some of the legal material that we find in Leviticus. This is all the kind of thing that tradition criticism looks at.
在复述这些故事时它加入了自己的主题,早期的法律,容易遭受重新诠释,《以西结书》在形成过程中,就对我们在《利未记》里看到的法律材料作了一些,有趣的处理,这就是源流批判学探讨的重点。
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