...是因为时间不是线性的﹐所以它们才能在空间中伸展﹑跳今跳出呢﹖二○○七年﹐曾获得美国物理学会科学写作奖的佛尔吉(Tim Folger) 在《发现》杂志的一篇文章里讨论了类似的概念。
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我们往往将这类正面的感受,与其他一些喜爱的作家相联系,这些作家千差万别,例如莎士比亚和佛吉尼亚·伍尔夫。
Those are the categories of value that we tend to associate or to affiliate with our other favorite writers, writers as diverse as Shakespeare and Virginia Woolf, for example.
在1928年,这是讲义中的下一条引语,弥尔顿对佛吉尼亚·伍尔夫又成了,一种不同类型的文化力量的代表。
In 1928, and this is the next quotation on the handout, Milton has come to represent for Virginia Woolf a very different type of cultural force.
我刚到了西佛吉尼亚,一开始就感觉很有看头,有一座名叫惠尔林的小镇上有几座跨越河流的大桥,这些钢架桥梁看起来很有工业时代的味道。
West Virginia, where I have just been, looked interesting from the start, a town called Wheeling with some huge bridges over a river. It all looked very industrial age with steel bridges.
In 1928, and this is the next quotation on the handout, Milton has come to represent for Virginia Woolf a very different type of cultural force.
在1928年,这是讲义中的下一条引语,弥尔顿对佛吉尼亚·伍尔夫又成了,一种不同类型的文化力量的代表。
Now when Virginia Woolf writes that Milton's bogey has shut out the view of his female readers, she seems to be suggesting that the specter of Milton blinds women to the things that they should be seeing, the most important truths out there in the world.
当佛吉尼亚·伍尔夫写道弥尔顿的惑众谣言遮挡了,她的女性读者的目光时,她似乎是在说,弥尔顿的幽灵让女性对她们应该看到的,东西视而不见,这些东西正是世间最重要的真理。
I mentioned earlier that it's Virginia Woolf who's largely responsible for our sense of Milton's identity as an oppressive patriarchal literary voice, but Virginia Woolf, too, had inherited these contradictory ways of thinking about Milton and about Milton's power.
我先前提到过,我们之所以会,把弥尔顿看作是男权主义在文学领域的发言人,在很大程度上是由于佛吉尼亚·伍尔夫,但佛吉尼亚也继承了这互相矛盾的,思考弥尔顿及其力量的方式。
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