其目的和方法在于，从禅宗对绘画特别是对文人画的影响，来研究传统绘画精神。
This paper will expound around these respects, with the aim and method of studying traditional painting spirit from the view of the impact of Zen Buddhism on painting, especially on scholar painting.
中国绘画应该是在传统精神的承传下，对当代生活的观察与体验的表达。
Chinese painting should inherit traditional spirits and convey observation and experience towards contemporary life.
文章追根溯源，它的精神内涵仍体现了中国绘画的传统精神所在——儒道思想。
Then, the author traits the roots of it, and finds that the spiritual connotation still reveals the traditional spirit of Chinese painting, that is the Confucianism and Taoism.
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