我要去克利斯仙码头,去小市场街。
在这方面,它将类似于斯宾塞的《仙后》,或者,更为重要的,维吉尔的《埃涅阿斯记》——其他民族主义史诗。
In this respect, it would resemble Spenser's Faerie Queene, or perhaps, more importantly, Virgil's Aeneid—other nationalist epics.
除了某些飘飘欲仙的游客和偶尔的出现幻觉的澳洲土人,塔斯马尼亚确实还没有从这种繁荣的产业中看到什么弊病。
Aside from some stoned tourists and the occasional hallucinating wallaby -- yes, really -- Tasmania has seen few ill effects from its flourishing cash crop.
In this respect it would resemble Spenser's Faerie Queene, or perhaps more importantly, Virgil's Aeneid -- other nationalist epics.
这样的话它就会与斯宾塞的《仙后》,更重要的,维吉尔的《埃涅阿斯记》等一些民族主义史诗相类似。
Milton uses for his source for the character Sabrina another character named Sabrina from Spenser's The Faerie Queene.
弥尔顿将Sabrina这一角色用作他的资源,另一个Sabrina是斯宾塞《仙后》中的。
In this respect, he seems to have followed Spenser -- Edmund Spenser, whose Faerie Queeneis in large part a tribute to the sacrament of marriage, although interestingly The Faerie Queene, the great Spenserian poem, never actually manages to feature a marriage between two human beings.
这样看来,他似乎是,秉承了斯宾塞--埃德蒙·斯宾塞,他的作品《仙后》,很大程度上来说是对婚姻圣礼的颂词,尽管有趣的是,《仙后》,这一伟大的斯宾塞体诗歌,从没有真正意义上,在两人的婚姻中发挥重要作用。
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