他终于在挂在钢琴上方的蜡笔肖像画中辨认出了那个留卷发,穿苏格兰短裙的小男孩就是他的朋友,他这时候才愿意让人接近灵柩。
It was not until he recognized his friend in the crayon portrait of a little boy in kilts and curls hanging above the piano that he felt willing to let any of these people approach the coffin.
他终于意识到是他的傲慢态度使人不敢同他接近。
Finally he came to realize it was his haughtiness that held people off.
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