实质上,他就是“窃取”了他之前的大师们的东西,吸收之,然后将其转化成属于自己的东西,之后又留给后人去“窃取”,以此来延续这个不间断的过程。
In essence he stole from past masters, internalized what he took, reformed it as something of his own, and left it for others to then steal and continue the process.
他是年轻一代的希望之灯。
他的后裔要存到永远,他的宝座在我面前,如日之恒一般。
His seed shall endure forever and his throne as the sun before me.
Yeats, in "Adam's Curse," regrets that the beautiful is something to be labored for and he wants to conceal that labor.
他在亚当的诅咒中后悔地称,这种美值得为之劳累,他想隐藏这种劳累。
So the reasons for this really enormous shift in plans, and the enormous shift in subject matter, are worth exploring.
弥尔顿的计划变化为何如此之大,他对主题的选择为何有这么大的改变,是值得探究的。
Aristotle is considered the "father of criticism," and yet he is also what Foucault would call a "founder of discursivity."
亚里士多德被认为是批判学之父“,但他是福柯承认的话语学奠基人“
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