清代新疆自乾隆朝统一之后的一个半世纪内，一直是重要的流放地。
Xinjiang was an important penal colony for 150 years after the Emperor Qianlong in the Qing Dynasty.
本文是以活跃在清乾隆朝的画家王宸作为主要研究对象，进行的绘画风格的个案研究。
This paper focuses on the case study of the painting style of Wang Chen, an active painter in Qian Long period of Qing Dynasty.
除传统的白地青花外，乾隆朝的青花还是派生出许多新品种，把原有的传统工艺提高到一个崭新的阶段。
In addition to the traditional white, blue and white, the blue and white Qianlong still derive many new varieties, the original traditional craft raised to a new stage.
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