中国古代文论以论说之体而具诗赋之性,其批评文体的文学化、语言风格的美文化和理论形态的艺术化,共同铸成文论之“体”的诗性特质。
The ancient Chinese literature theory is not rational but poetic, because it's text is literary, style is esthetic and form is artistic.
弟兄们,我告诉你们说,血肉之体不能承受神的国,必朽坏的不能承受不朽坏的。
Now this I say, brethren, that flesh and blood cannot inherit the kingdom of God; neither doth corruption inherit incorruption.
弟兄们,我告诉你们说,血肉之体,不能承受神的国。必朽坏的,不能承受不朽坏的。
Now this I say, brethren, that flesh and blood cannot inherit the kingdom of God; neither doth corruption inherit incorruption.
We simplify it by saying this: that there are three fundamental textures: monophonic texture, homophonic texture, and polyphonic texture.
简而言之,有三种基本织体,单音织体,主音织体和复音织体
Here, there are receptors on one cell and the ligand that they experience is not a dissolved molecule, but actually a molecule that's attached to another cell.
这个细胞上有许多受体,与之结合的配体并非是可溶性分子,而是一个附着在其他细胞上的分子
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