经济主体需要华尔街，它们都需要华盛顿。

Main Street needs Wall Street; and both need Washington.

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演员作为创造主体需要一个适合他的动作展开的空间来围绕他。

Actor as the creative subject needs a space to carry out his action and movement.

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第二个问题是客户端主体需要存在于服务用户注册表中(可能反之亦然)。

The other is for the client principal to exist in the service user registry (and possibly vice versa).

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So these moments of landscape description offer up that consistently Christian-inflected theory of the universe, that sense of transcendence as structure, as something that's moving inexorably, that will take all time to complete.

通过这些景象的描述,我们可以看到一种,一直受到基督教影响的,关于宇宙的理论，这种理论以超自然的感觉为主体，就像一些不为人的意志而转移，需要我们穷其一生去完成的事。

耶鲁公开课 - 1945年后的美国小说课程节选