这包括批评家主体精神的退位和作家主体精神的退位这两方面。
This includes the disappearance of critic subject spirit and the disappearance of writer's subject spirit.
这种话语是通过对传统主体观的批评来实现的。
The discourse was realized by the criticisms of the traditional subject.
以自由和理性为美学批评的思维基点，是由文学批评对象、文学批评主体和文学批评本身等因素决定的。
Since it is determined by such factors as target, subject, and literary criticism itself, we regard reason and freedom as its basic starting point.
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