The forth , the concluding part ,summarizes amusing literature theory ,discusses the influence of amusing literature theory in the time of middle and later Ming Dynasty synthetically.
第四部分为结束语，对娱乐性文论进行总体评估，综合论述中晚明时期娱乐文论对后世的影响。
参考来源 - 中晚明娱乐文论研究·2,447,543篇论文数据，部分数据来源于NoteExpress
增益行为也反映了中晚明士人的审美趣尚。
The augmentations also represent the aesthetic interests of the intellectuals in the middle and late Ming Dynasty.
更重要的是这一形象负载着晚明传统士人深厚的自我人格精神，成为混乱黑暗的特殊时代中传统士子的理想人格范型。
Furthermore, this part mirrors profound self-esteem of classical scholars in the Late Ming dynasty, which has become an ideal traditional scholars' personality prototype in that dark era.
晚明散曲家施绍莘是明人散曲中之大成者，他采用昆腔新声创制了许多优秀的散曲作品，并且获得非常好的市场反响。
Shi Shaoxin, who was said to be the synthesizer of Sanqu creationers in Latter Ming Dynasty, made many perfect Sanqu works with new tunes, and obtained a very good market response.
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