他的绘画理论和绘画创作使中国绘画美学得以系统体现。并出现了抽象美的萌芽。
It is possible for his painting theory and creation to make China painting aesthetics systematizing, at the same time it appears the seeds of abstract beauty.
这三方面表现出荆浩对中国绘画美学思想的承续与拓展，从而开创北宋以下千年绘画之新局面。
The above were the contribution of Jinghao to Chinese drawing and he started the new phase from North Song Dynasty.
他提出的“传神”论在中国绘画美学史上具有重要意义，对今天研究中国人物画的创作仍有积极意义。
The discuss of other artists on the relations of form and verve for our figure painting to explore necessary supplementary, theory and practice have been perfect.
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