最后本文以变化的意义为切入点，就新时期以来的中国电影中知识分子形象的嬗变在社会、文化和美学的意义上做进一步论证。
Finally, as an entry point to the significance of changes, since the new period image of intellectuals in the Chinese film the Evolution of the social, cultural and aesthetic sense, for further proof.
中国西部电影是中国电影的一个民族品牌，它具有鲜明的美学追求和美学风格。
China's western film is a Chinese film national brands, it has a distinct aesthetic style and aesthetic pursuit.
这样的电影美学，能够在坚守中国电影的独立精神基础上，彰显中国文化的风貌。
To preserve film aesthetic, is the basic stand of preserving the independent of Chinese film spirit which will let the Chinese culture shine through.
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