这不仅是孔门儒家，也是中国古代服饰美学思想目的论的核心内涵。

Atahis isn't only the Confucianism but also the nuclear connotation of the Chinese archaic finery aesthetics teleology.

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本文从图案、色彩等方面详细解析龙袍象征符号的内涵，探索那个时期中国宫廷服饰艺术风格所呈现的总体倾向和美学风貌。

This paper tries to explore the general trends and aesthetic features of costumes in Chinese palaces at that time by analyzing the symbolized connotation of dragon robes from design and colours.

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