它标志着从中世纪到现代时期的过渡。
这表明巴黎不是法国唯一的创作中心,但是它为从中世纪到文艺复兴的过渡必需做的事情却并不清楚。
This demonstrates that Paris was not France’s only creative centre, but it is not clear what it has to do with the transition from the Middle Ages to the Renaissance.
这和不可避免的从这个世纪到那个世纪,从这个国家到那个国家的跳跃,是这本书的某些地方看起来凌乱无序。
This, and the inevitable hopping from country to country or century to century, give the book an untidy air in places.
That's very nice. So basically, you get a lot of benefit supposedly from this 7-Up soda from the 1920's or so.
这非常好,因此基本上,在二十世纪二十年代,喝到这样的七喜恐怕对你大有好处。
Her statement points to a persistent worry, and it's a worry that exists even now in the twentieth century about the nature of Milton's power.
她的陈述不断透露着忧虑,这种忧虑一直持续到现在20世纪,关于弥尔顿之力量的本性的忧虑。
In fact you can find all over American culture in 1800,1810, even into the 1820s, a lot of fear of technology.
其实你能从所有的美国文化中发现,在1800到1810年,甚至在19世纪20年代,充斥着太多对新技术的恐惧
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