罗森克兰茨（Karl Rosenkranz）写于1853 年的第一部、也是最完备的《丑的美学》（Aesthetic of Ugliness）将丑类比于道德之恶。正如恶与罪是善的相反，代表地狱，丑则是“美的地狱”。
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美学作为哲学的一个分支，是对美与丑的本质与感知的研究。
Aesthetics, branch of philosophy, is concerned with the essence and perception of beauty and ugliness.
他的美学理念让我想到一句话：「初看漂亮，随后变丑的，是时尚；
His philosophy of aesthetics reminds me of a quote that went something like this: "Fashion is what seems beautiful now but looks ugly later;"
文章从美学角度对《药》作了较为详细的分析，指出《药》具有结构美、悲美、丑美等美学特征，虽然情节描写有许多悲愤之处，但给人以美的感受，是一种悲美。
The sharp contrast of beauty and ugliness in Notre- Da me de Paris has an important effect on developing the plot of a story, portraying typical characters and expressing the author feelings.
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