这是那些不懂世故的听众喜欢听的音乐。
It was music which unsophisticated audiences enjoyed listening to.
他俩看上去像是一对不懂世故的人。
刘大鸿偏爱用简单的叙事手法，也爱用鲜艳的色彩，表现某种虚构的自信和不懂世故的天真，彷如从彼得。勃鲁盖尔的镜头回顾过去历史，全都是扭曲的影像。
Liu prefers simple narrative style ebulliently painted in brilliant colours that reveals a certain self-confidence and naivety, as if seen through the distorted lens of Pieter Bruegel.
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