On a recent rainy afternoon, Zeng Guohui, a 41-year-old laborer, walked to an abandoned mine where he used to shovel ore, and pointed out still-barren expanses of dirt and mud.
在一个即将下雨的下午，曾国辉，这个41岁的工人，来到了在他过去工作过的废弃矿井旁，这里仍然是一片泥泞的荒凉的地方。
As if he were self-consciously attending to the movement of his own soul, Zeng alters his technical procedures from time to time, to surprise himself.
和自觉地关切着自己的灵魂波动一样，曾梵志也在时常变换着他的绘画技法，有时候连他自己都感到奇怪。
Of his now-iconic Mask paintings, Zeng has said that he was interested in exploring the distances between people.
谈论他招牌的《面具》创作时，曾梵志曾说他对探索人与人之间的距离相当有兴趣。
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