Musical factor is the centre of zhe and attract stories in the zhe, then basal structural units of Yuan-zaju is formed and the units is relative unattached.
折以音乐因素为中心，吸引折内各场次的故事向之靠拢，形成相对独立的元杂剧基本的结构单位。
参考来源 - 元杂剧第四折研究·2,447,543篇论文数据，部分数据来源于NoteExpress
The last, the system also influence the narrative clew, which made Yuan-zaju basically lonely narration, and can't form crewel or more line narration.
第四，一角独唱体制还影响着作品的叙事线索，使得元杂剧基本都是单线叙事，而不能形成双线或多线叙事。
Zaju of Yuan, legends of Ming and Qing and traditional European operas all belong to literary drama, while local operas are performing drama.
元杂剧、明清传奇和欧洲传统戏剧都是文学的戏剧，地方戏是表演的戏剧。
The court Zaju in the Ming dynasty systematically inherited the tradition of Zaju in the Yuan dynasty, showing new characteristics of stylization, standardization and, to some extend, creation.
明代内府杂剧在体制上继承了元杂剧的传统，体现出程序化和规范化的特点，且有一定的创造性。
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